WARNING - This site is for adults only!
This web site contains sexually explicit material:Today, I'm pulling back the curtain on the fetish biz, to give customers and newcomers some insight on how things work in the business and why I do certain things the way I do.
Let's start with my policies regarding models. I now have a permanent platform on which to post them, so hopefully this helps both customers and models understand how I do things. First, I preface this by saying I'm known (hell, infamous) for not rewarding bad behavior ... no matter how pretty or famous a model may be. A female producer actually contacted me and told me she really respected me for this. This is important for customers because it explains why some talent may no longer be available. It's important for models as it establishes ground rules for our working relationship.In the current industry, many male producers simp for and submit to their talent. They are fanboys, who are starstruck that (fill in model name) is actually on their set, in their house, etc. and they act accordingly.
I don't. Never have and never will. I worked with beautiful and talented ladies for over 20 years as an actor and stuntman, even before I started doing this. I admire and respect the talent, but I'm here for business ... just like they should be.That said, I require that models
1.) be on time
2.) let me know when they're not going to be on time, so everyone else shooting has a heads-up3.) not make a habit of last minute cancellations (aka-flaking)
4.) focus on the shoot (not your Only Fans or TikTok), when we're working.These are the basics on which many male producers, especially newer ones, tend to be very lax. Being lax on these things creates an awkward work environment, in which reliable models have to sit and wait for unreliable models and producers may have to compensate those models who are waiting extra money to sit and do nothing (or just run out of allotted time).
Clients who have ordered custom videos are also at risk, as their favorite model might not care enough to show up, thus putting the client's money at risk as well as the faith they've put in both the producer and that model. So, it's a very messy situation all around, focused on one person who can't get it together to make it to a gig that pays $100 - 150 per hour. I find that not allowing that person to have that much control over everyone else is far more preferable for business and peace of mind.When I was in mainstream entertainment, if you were more than 15 minutes late for your call time without contacting management, they were on the phone ... calling your replacement. The show must go on, with or without you, no matter how pretty or talented you are.